![]() Their chemistry sizzles, and without the action sequences, the movie would function as a perfectly enjoyable romantic comedy. ![]() ![]() It might say "Spider-Man" on the poster, but it's as much Stone's movie as it is Garfield's. A perfect balance of charm, bravado and nervous humor, his Peter Parker is a joy to watch.Įven better than Garfield, though, is Emma Stone. Andrew Garfield nailed Peter perfectly on his first outing, and here he's just as solid. Whether on the page, on TV, or at cinemas, Spider-Man has always worked best when he plays second fiddle to Peter Parker, and "The Amazing Spider-Man 2" is no different. Initially, this is slightly jarring, and the Giamatti plutonium chase feels a little like a throwback to the hideous days of the mid '90s superhero flicks, but the movie dodges that particular bullet by understanding one thing very clearly - that even in a cartoon world, emotion and character are paramount. Villains with little motivation for their actions chew the scenery: pre-Electro Max Dillon carries blueprints in the street and argues with his own delusions in the mirror, and it's perfectly reasonable that in an early sequence in the movie, a wise-cracking Spidey is chasing Paul Giamatti's hammy Russian mobster after he's hijacked a truck full of plutonium. There's something distinct about the tone of "The Amazing Spider-Man 2" in the same way that "The Avengers" feels like a comic book made flesh, Marc Webb's Spider-verse feels like a live-action Saturday Morning Cartoon.
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